Heather Mason (
foolishwren) wrote2011-06-20 03:24 pm
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Entry tags:
- *ace attorney: larry butz,
- *ace attorney: shelly de killer,
- *bleach: ise nanao,
- *dcmk: kaito kuroba,
- *death note: l,
- *digimon: minako 'yolei' inoue,
- *fairy tail: ur,
- *final fantasy tactics: ritz malheur,
- *fullmetal alchemist: envy,
- *g.i. joe: cobra commander,
- *homestuck: eridan ampora,
- *homestuck: rose lalonde,
- *kingdom hearts: sora,
- *macross frontier: sheryl nome,
- *metal gear solid: hal 'otacon' emmerich,
- *metal gear solid: revolver ocelot,
- *persona 3: ken amada,
- *persona 3: shinjiro aragaki,
- *persona 4: rise kujikawa,
- *professor layton: luke triton,
- *puella magi oriko magica: yuma chitose,
- *the road to el dorado: miguel,
- *transformers (movie): ironhide,
- *umineko no naku koro ni: beatrice,
- *yu-gi-oh!: bakura,
- a letter to my future self,
- adventure time,
- aftermath,
- all my fault,
- all phobias: engage,
- are you afraid of the dark?,
- back in my day,
- bad memories,
- bitch be trippin' balls,
- boss fight,
- brb going on an adventure,
- calm before the storm,
- don't do this at home,
- dramatic narration,
- event,
- event post,
- fear for the flesh,
- fucking fuckity fuck,
- holding my heart out but clutching it to,
- i can't very well stab them one by one,
- i've got a bad feeling about this,
- ic,
- image attached,
- is daddy still a good man?,
- it came from the black lagoon,
- it is a mystery,
- kshshhhhhhssfrrrzzzhhzhzlshhhshhkzfffffl,
- nightmare plot,
- notto dissu shitto agen,
- nurses. nurses everywhere,
- officially freaked-out now,
- scary stories to tell in the dark,
- silent hill survivors club,
- the town that takes all,
- unexplained anxiety,
- valtiel,
- what is this i don't even,
- what the fog,
- who's that pokemon?!,
- wrath of god,
- your pain is hilarious
70. [DREAM/DREAM/DREAM/DREAM]
[So while the rest of Johto alternately panics, cries, or rushes around trying to capture as many of the soulstealing insects as possible, there are dozens of souls floating around in that dream limbo, drifting in and out of each other's slumbering thoughts and visions. Whether it's nightmarish flashbacks or just those dreams where you're at school taking a really hard test, and then Dracula shows up, and then everybody's naked ... anything is possible when it comes to what people see in their sleep.]
[But what appears in the darkness in this particular spot in the spaceless, shifting mass of dreaming souls... is a door.]
[It's old, and covered with boards and bolts, rusted near-through in some places. The lock is broken-- mangled and half-melted and wrenched out of the keyhole. The only thing on it that doesn't look ancient is a scrap of torn notebook-paper that's taped up on it at roughly eye-level. It reads only a single phrase:]
Fear of blood tends to create fear for the flesh.
[More importantly, though... the door is ajar. Through the gap come the scents of rust and metal-- and something organic, fleshy-- and a low, deep hum of industrial machinery. It's not a door that anyone in their right mind would want to go through. ... But for anyone who may have stumbled this far into the dreams of their fellow lost souls, either in flight from some other nightmare or just pure, wandering curiosity... there's just no other place to go but through the door.]
[Go on. Open it. After all.... it's only a dream.]

[ooc: SORRY THIS TOOK SO LONG, GUYS. Thanks for being patient! If you commented on that planning post, there's something spooky planned for your character to do here so please feel free to tag or not tag as it pleases you!]
[ooc: This is the IC post for what was announced over here! Even if you didn't comment there, feel free to participate! I'm still happy to whip up Silent Hill scenarios for folks!]
[But what appears in the darkness in this particular spot in the spaceless, shifting mass of dreaming souls... is a door.]
[It's old, and covered with boards and bolts, rusted near-through in some places. The lock is broken-- mangled and half-melted and wrenched out of the keyhole. The only thing on it that doesn't look ancient is a scrap of torn notebook-paper that's taped up on it at roughly eye-level. It reads only a single phrase:]
Fear of blood tends to create fear for the flesh.
[More importantly, though... the door is ajar. Through the gap come the scents of rust and metal-- and something organic, fleshy-- and a low, deep hum of industrial machinery. It's not a door that anyone in their right mind would want to go through. ... But for anyone who may have stumbled this far into the dreams of their fellow lost souls, either in flight from some other nightmare or just pure, wandering curiosity... there's just no other place to go but through the door.]
[Go on. Open it. After all.... it's only a dream.]

[ooc: SORRY THIS TOOK SO LONG, GUYS. Thanks for being patient! If you commented on that planning post, there's something spooky planned for your character to do here so please feel free to tag or not tag as it pleases you!]
~*~
[ooc: This is the IC post for what was announced over here! Even if you didn't comment there, feel free to participate! I'm still happy to whip up Silent Hill scenarios for folks!]
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It happens so quickly and silently that L barely has time to flinch as the bullet is fired despite the advancing man's accusation that the other man "didn't have the stomach" to shoot. It would appear that he had been fatally wrong, and had paid for it with his life.
Blood creeps towards L's bare toes, and he takes a few halting steps backwards. He is clumsy, and he doesn't want to slip and fall in this mess.]
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[What happens next happens so quickly it's over in almost an instant-- and unfortunately, makes avoiding the spreading puddle impossible.]
[In bright ribbons of red, the blood streaks outwards and crawls up the walls, almost alive-- and the house crumbles away as the walls run red, like time-lapse footage of a wilting plant.]
[The girl is gone. The man at the top of the stairs is gone. And soon, the normal, presumably happy house that L stepped into is gone, too. There's just that harsh red sky, and a moldering ruin around him.]
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His wings buzz and vibrate again, more urgently this time. The scene was a reprieve, apparently, and little more; he's still got survival to worry about, and there is still that terrible feeling of being prone, vulnerable and a hell of a target for anything looking for prey in this stark world.
Shelter. He wants it, dearly, but is uncertain whether or not he can find it. He toys with the idea that maybe that girl is somewhere, that maybe she isn't gone like the house is gone, but he can't claim to be seriously holding out hope for that outcome.]
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[Lying scattered all around now are flyers-- some torn and some half-soaked in puddles. He will find them no matter where he goes ... and all have one of two of the same faces printed upon them-- the man with the gun, and a somewhat familiar teenage face. Missing persons ads... there's contact information, but instead of info about the people themselves, there are only a few words, respectively, written about each of them. HERETIC and HOLY ONE.]
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It's impossible to keep his bare feet clean. Ash and dirt cling to his soles and get scuffed up over the top of them, turning the pale skin sooty grey in a matter of minutes. It reminds him of the movie. So he shuffles over to a puddle, with the intention of washing them, but his toes brush up against a piece of soggy paper. He peers closer at it, and in his peripheral vision, he notices more posters, just like the one at his feet.]
Holy one...?
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Well. Someone drew Heather wrong, that's just all there is to it. He squints, trying to see past the misplaced benevolence and serenity to a face he knows he knows. He's so intensely focused on the poster that he forgets his wariness for a moment, foolishly dropping his guard.]
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[Sure enough, because the only things more deeply ironic than life itself are the dreams of those living it, it's that moment that a potential crisis chooses to strike.]
[Around a nearby corner, the gentle sounds of something padding through some of the scattered puddles float through the air, followed by a much less gentle growl.]
[A few meters away, over by some trash cans, a dark canine form stands, backlit in the mist by an unseen streetlight. The eyes in its too-far-apart sockets blaze-- straight at the hunching little figure.]
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It's not a cartoon dalmatian, that's for fucking sure.
Nothing seems like a better idea at the moment than to run as fast as his twiggy legs can carry him, and that's exactly what he does. He chooses a direction that takes him down a somewhat dubious-looking alley, rather than the more open and comforting route along the straight line of street lamps. His reasoning? He's smaller, but not faster, and out in the open that thing would be on him in an instant.]
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[With a mouth that opened further to the sides than it did up and down, the dog let out a surprisingly deep, menacing bark. When the strange little spirit flees, whatever primal instincts are left in the thing's rotting brain can only compel it to give chase.]
[Which it does-- down the narrow, misty alleys and wet streets. L's strategy is sound, but all the same, alleys are tricky things... especially since you never know when one is going to come to an abrupt stop against a brick wall.]
[Which is what L will run into eventually.]
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He didn't think he'd ever wish for it again, but... perhaps he did belong in a dark room.
His path twists and turns, he leaves false trails, and he does everything possible to throw off his pursuer. Even when he's terrified, L is resourceful and clever... but that wall is too tall for him to scale. His breath catches and he turns to face the hell-hound, his toes curling against the pavement and bits of ash.
He wonders what it'll be like to die like this. How much pain there will be, if he'll bleed much or not at all, if it'll be quick or drawn-out.]
Monsters must die...
[He numbly parrots words he's heard before, but they don't sound right, they don't seem right, like this... his eyes widen as his back flattens against the brick wall. Nowhere else to go.]
I'm not like you...
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[It's not even that the strange little insect thing looks particularly tasty.]
[It's just that it moved. And that alone filled the split-headed dog with a hot, raging desire to rip it to pieces and roll in the remains.]
[Floppy jowls peeling back over rotting purple gums and yellowed teeth, the dog LUNGES.]
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And then it's moving, it's lurching forward. L squeezes his eyes shut, hoping that it's quick, hoping that whatever happens, he doesn't have enough time to wish for death.]
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[... But fortunately, the one that the dog suffers will be.]
[The sharp CRACK of a gunshot rings out, and the dog hits the ground with a thud, a neat little hole punched through the top of its head, before the split begins. It didn't even have time to cry out.]
[The shot, somewhat appropriately, had come from above...]
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[A figure in filthy clothes, with pitch-dark hair and skin mottled with squirming red. In its hand is a gun.]
[And it's staring straight down at him.]
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So he stares up at her, taking deep breaths, waiting for his heart to slow to a more reasonable pace and his limbs to stop trembling.]
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[Then, slowly, it turns, crouches, and starts to climb down the wall, finding miniscule footholds in the grooves between the bricks.]
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She looks a bit like the girl in the house, and L wonders if there is a connection...]
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[When the figure reaches the ground, she stands all the way upright, head still tilted. When she notices how L scurries away from her, she refrains from approaching, but she doesn't move her stare.]
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I don't know you... do I? Are we acquainted...?
[The worst that can happen is that the girl kills him, a fate he already came to terms with when the dog was closing in on him.]
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[She says nothing, but her curiosity is plain. She's never seen something quite like him around here... and she knows everyone in this neighborhood.]
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[But she still looks curious. For lack of any better way to communicate this, she points at him.]
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Well. That didn't make much sense. But she wasn't laughing, and she wasn't chasing him or whispering hurtful things.]
Me. It's me. Who are you? Are you from the house before?
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~fin~