foolishwren: there is a train at midnight, and some meat themes throughout the movie, but the train itself is not filled with meat.  4/10 (TITLE ACCURACY: "Midnight Meat Train")
Heather Mason ([personal profile] foolishwren) wrote2011-12-10 07:12 pm

84. FOURTH WALL video/action/whatever. GO NUTS. Backdated a little to the morning.

[Another day, another long shift at work. Heather doesn't really mind, though. It's one hell of a difference between the hectic stress of the job in the department store that she had last year. What a difference having SANE bosses can make, even if the job is more boring.]

[As the morning sun creeps higher behind the snowclouds and lights up the powder drifting down from the sky, Heather is seated at one of the stools behind the counter in the diner where she now works, and is making herself incredibly useful by balancing all the salt-shakers she can find on top of one another.]

[And then putting all those little sealed packets of sliced cheese she can find on top of THOSE.]

[It's a quiet morning, okay? Leave her alone!]

[Needless to say, one of the owners of the diner-- an old married couple-- spots his newest employee working on the Leaning Tower of Cheesa and just sort of shakes his head, sighing. Kids these days.]


Miss Mason, as much as I hate to stifle the budding artist in you, the soda machines need cleaning.

[Heather heaves an enormously-dramatic mock sigh as she gets up.]

Ugh, finnneeee. You're just jealous of my deeply creative spirit.

You got me. I'm turning green. Dish-soap should be in the back.

[Having chill bosses is AWESOME. Heather had decided she liked having bosses she could banter with almost as soon as she got the job. She sticks her tongue out at him as she passes, on her way to the back door. And then she has an idea!]

[Pulling out her 'Gear, she hits the network button.]


HEY GUYS. Who wants to watch me CLEAN SHIT?

[Because clearly if she had to do boring things, it would improve everybody else's lives to watch her do them.]

[But behind her, the boss clears his throat meaningfully, and Heather rolls her eyes.]




Oh, that's just Danny!



[OOC: COME AT ME BROS. Feel free to assume that Heather is elsewhere if you don't feel like dealing with Danny-- 4th Wall is like CRACK: THE EVENT, so I'm happy to stick her wherever.]

[identity profile] walkwithbob.livejournal.com 2011-12-11 09:13 pm (UTC)(link)
[Oh, he's been waiting for that question. Laura Palmer had asked him that a lot. Little, dirty, fucking Laura Palmer, with her drugs and her sex and her screaming and her death.]

[That hadn't gone according to plan. Neither had the other one. But the beauty about it is that he can keep going, keep trying. He's got a lot of seedlings to look after.]

[To treat just so...]

[Again, there's no time with this one, not really. But she's pretty fun. Too fun to leave alone. He knows her better than she knows herself - at least, that's what he's going to tell her.]

[Later, maybe. Not now.]


Little Heather Mason, haven't you figured it out?

How are you going to FIGHT SOMETHING YOU DON'T UNDERSTAND?

[The last - strongly, in an outburst, followed by a growling sound, a dog in a corner.]

[identity profile] walkwithbob.livejournal.com 2011-12-11 10:33 pm (UTC)(link)
[From .. nowhere?]

[Rather suddenly, he's not in her head anymore. She can probably tell the moment he leaves her. It's a relief that's almost physical because no matter what he says, he doesn't belong in her head, or anyone's.]


[It only takes a moment for a low ringing sound to be heard in the room as everything goes dark, though. The low, shrill sound she's undoubtedly had in her ears on more than one occasion, maybe from gunshots resonating a little too loud, from someone screaming JUST a little too close.]

[Except this ringing doesn't let up.]

[And there's a cold, white-blue light that starts shining on her. There's no real light source.]


[There's a shadow moving outside the windows, and then it's gone. It could have been flying, maybe. Was it flying?]

[identity profile] walkwithbob.livejournal.com 2011-12-11 10:54 pm (UTC)(link)
[There's another light in the room, and she'll probably notice the moment she's no longer blinded by her own. It's on the far end, among the booths and tables, and it's shining on a rather tall man with wild grey hair and a grin to match who's standing amongst them.]

[His head is slightly tipped forward like he's ready to charge at her, but he remains still except for the occasional shift in his smile.]

[You know this guy, don't you Heather?]

[identity profile] walkwithbob.livejournal.com 2011-12-11 11:14 pm (UTC)(link)
[He just grins even wider - and he does remain in his spot ... but only for a moment.]

[After that he slowly walks forward. Slowly and unrelentingly. There is a bit of distance between them and she could very well make a break for the door, but that doesn't stop him from being just that: slow.]

[Slow is just that much worse, isn't it?]

[It had certainly worked on Maddy Ferguson.]

[He's

coming

for

you.]

[identity profile] walkwithbob.livejournal.com 2011-12-11 11:50 pm (UTC)(link)
[Oh, a chair. That's cute.]

[Needless to say, he doesn't care at all about that chair, and the fact that she's bolting doesn't bother him much either. She can run all she wants. He's not going to go out of his way to catch her.]

[In fact, once she reaches the door, the lights will go back to normal. The harsh spotlight on her fades away, the warm light inside the diner takes over, and that sound, annoying despite how low it is, disappears.]

[He's not there anymore.]

[He was never serious in his pursuit. He scared her BAD, and that pleases him enough.]




[There's something for her to find when she comes to look though, near where he stood. Smears of ... something ... on the floor that spell out FIRE WALK WITH ME.]

[It's messy. And it will also fade away in front of her eyes.]




[The owl calls one last time, there's an impossibly loud flap of wings, and it's gone with the wind.]